Philadelphia
Safer Journalism Project

Code of Ethics

Safer Reporting for Safer Communities:

A Code of Ethics for Community Reporting in Philadelphia

What would journalism look like if we embraced the storytelling ways of impacted communities instead of marginalizing them? What would happen if we centered practices from Black and Brown storytellers and media ethicists? Enter the Philadelphia Safer Journalism Project.

We see the need for ethics that reflect the values of our communities, which have historically been excluded from conversations about  journalism practices. We do not seek to make a code that’s impractical or perfect; we have created a code of ethics we can be accountable to. This code of ethics grew out of a small cohort of Black and Brown storytellers who aim to foster more community-led news about public safety. Over the course of a year, we aligned values and co-developed practices with community journalists, media ethicists and mutual-aid organizers who joined us as guest contributors.

Safer Reporting for Safer Communities Cover with illustration of elder woman on porch talking with community member.

Explore the Expanded Version of the Code of Ethics

Our collaborators designed this code of ethics for editorial teams: reporters, producers, photographers, news directors, editors and so on. Check out this in-depth overview to see our full recommendations. This is an evolving document, and more updates are coming in the future!

This is a list of our primary principles. We have more to offer, and we hope you will explore the expanded version of this code, which provides more context and more recommended practices.

One

Active listening is necessary — it produces results that make it compelling and valuable for all parties in a conversation, including storytellers and sources. Listening to sources and communities deeply and with care should be the first step to your work.

Two

Ensure accuracy. Verification is a must.

Three

Move past binary thinking. Humans have many perspectives, and conflicts may have many sides. “He said/she said” can be reductive, untruthful and polarizing.

Four

The news should reflect the communities it serves, equitably and with an intersectional lens. This should be documented on an ongoing basis with accountability measures to avoid bias or erasure.

Five

All sources deserve respect and transparency. News storytellers should set expectations and share potential outcomes openly and honestly, keeping in mind that power dynamics exist in reporting and impact how stories are told.

Six

Storytellers should come from the communities they serve.

Seven

All humans have biases, which means humans can’t be purely objective. We can instead be rigorous, transparent and fair — and disclose our biases.

Eight

The relationship to news consumers should be a caring one, like mutual aid, that meets people’s information needs and includes resources to improve their lives and their reading/listening/viewing/felt experiences.

Nine

Storytellers must be accountable to the communities they serve, with these communities leading the conversation on what accountability looks like.

Ten

Build a stakeholder wheel. Include all of the stakeholders, but look for who doesn’t have power and consider how you can center them.

Eleven

Take the time to evaluate the structural systems of power and how they are showing up in the lives of the people in the story.

Twelve

There’s a responsibility to balance public and individual perspectives with facts. Prioritize all the relevant facts, including the facts on interventions to violence.

Thirteen

Refrain from assigning morality. Narratives that label some people as good and others as bad don’t reflect life’s complexities.

Fourteen

Approach every living being in the story with care, including people who have committed harm.

Fifteen

Reduce harm at all costs. Avoid dehumanization at all costs. Implement media harm reduction tactics.

Sixteen

Ask questions of the people and groups who can answer them appropriately.

Seventeen

Expertise shouldn’t be determined by colonial institutions, but instead by the best knowledge on a topic, regardless of a person’s status. Expertise from within the community is crucial to getting the story right.

Eighteen

Complicate the narrative: Show how issues exist across time and space, with nuance, solutions, history, context and root causes. Don’t just expose an issue and leave the narrative there.

Nineteen

Publishing or broadcasting disturbing images of deceased people should require conversations with the people who loved them and what they would like to come from those images.

Take the time to evaluate what visual stereotypes could show up in the storytelling.

Twenty-one

There is a difference between narrative and fact. Court charges might be a matter of fact; someone’s character is a matter of interpretation.

Credits

This code of ethics was co-written and co-edited by Free Press’ Public Safety Coverage Cohort and guest contributors. These voices include:

Public Safety Coverage Cohort

Malav Kanuga, Ph.D., co-founder of Making Worlds Cooperative and Common Notions Press; Abd’Allah Lateef, deputy director of the Campaign for Fair Sentencing of Youth; Andre Simms, founder of DayOneNotDayTwo; Manuel Smith, vice president of digital of the Philadelphia Association of Black Journalists; and Gabriela Watson-Burkett, founder of Inti Media

Guest Contributors

Rasheed Ajamu, Sammy Caiola, Jesenia De Moya Correa, JD Duncan, Zaki Barak Hamid, Lianne Milton, aAliy A. Muhammad, Dionicia Roberson and Joseph Torres

Publisher: Media 2070

Editor/Facilitator: Cassie Owens

Text Editor: Amy Kroin

Illustrator: Amir Khadar

Designer: Courtney Morrison

Consultants: Mike Rispoli and Qing Saville

Featured art:

Illustrations, ironwork-inspired ornaments and Roman numerals by Amir Khadar

Infographic template by Courtney Morrison

Acknowledgments:

We are grateful for the wisdom of:

Rev. J.R. Norwood, Ph.D., Nanticoke Lenni-Lenape Tribal Nation

Veteran journalist Terry Johnson

Subramanian (Subbu) Vincent, Journalism and Media Ethics, Markkula Center for Applied Ethics, Santa Clara University

Lewis Raven Wallace, Interrupting Criminalization

The Northwest Mutual Aid Collective

We appreciate our venue hosts for allowing us to incubate this work in their spaces:

The Colored Girls Museum

Making Worlds Cooperative

Join Our Community

We are committed to accurate storytelling on public safety, to our communities and to one another. We welcome you to join us in adopting these standards individually or in your newsroom. Sign up to join our community of journalists, storytellers, researchers, and artists working together to make journalism safer.